O conceito de recepção na obra de Eliseo Verón: 1968 – 2013

Antônio Fausto Neto
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引用次数: 3

Abstract

The concept of reception runs through the work of Eliseo Veron - 1968-2013. Initial studies emphasize the dimension of time for the production of meaning. They highlight processes that involve specific moments for the de nition of the signification, in which a message is said and received. Little attention has been paid for this aspect, but it is an issue that would demand a lot in the future. The actors’ role is pointed out, since rebuilding recognition grammars assumes the work with the individual word. The pertinence of the idea of “grammars” is developed - its de ciencies and different logics - for the formulation of theory of recognition, from the articulation production/reception.
Eliseo veron作品中的接受概念:1968 - 2013
接收的概念贯穿了Eliseo Veron(1968-2013)的作品。最初的研究强调意义产生的时间维度。他们强调了涉及意义定义的特定时刻的过程,在这个过程中,信息被说出来和接受。这方面的关注很少,但这是一个未来需要大量关注的问题。指出了行动者的作用,因为重建识别语法需要与单个单词一起工作。“语法”概念的针对性——它的特殊性和不同的逻辑——是从发音产生/接受的角度出发,为识别理论的形成而发展起来的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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发文量
33
审稿时长
30 weeks
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