{"title":"Listening in Crip Time","authors":"P. Rangan","doi":"10.1525/fq.2022.76.2.25","DOIUrl":null,"url":null,"abstract":"Jordan Lord’s Shared Resources (2021) uses access features—namely, open captions and burned-in audio description—as a medium of crip creativity. A meditation on debilitation, debt, disability, and bankruptcy, Lord’s film asks what it means to listen from the perspective of the out-of-synch temporal experiences that disability scholars call “crip time.” To listen in crip time, Lord shows, is to rethink the temporality of access, turning it from an afterthought into a building block of documentary language. By reframing access as a collective responsibility, Shared Resources moves away from transactional and adversarial interpretations of documentary access as risk mitigation into a more powerful framework of accountability.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fq.2022.76.2.25","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
Jordan Lord’s Shared Resources (2021) uses access features—namely, open captions and burned-in audio description—as a medium of crip creativity. A meditation on debilitation, debt, disability, and bankruptcy, Lord’s film asks what it means to listen from the perspective of the out-of-synch temporal experiences that disability scholars call “crip time.” To listen in crip time, Lord shows, is to rethink the temporality of access, turning it from an afterthought into a building block of documentary language. By reframing access as a collective responsibility, Shared Resources moves away from transactional and adversarial interpretations of documentary access as risk mitigation into a more powerful framework of accountability.
Jordan Lord的《共享资源》(2021)使用了访问功能——即开放的字幕和刻录的音频描述——作为一种蹩脚创意的媒介。洛德的这部电影是对衰弱、债务、残疾和破产的沉思,从残疾学者称之为“残废时间”的不合时宜的时间体验的角度来思考倾听意味着什么。洛德表示,在嘻哈时代倾听,就是重新思考访问的时效性,把它从事后的想法变成纪录片语言的基石。通过将获取重新定义为集体责任,“共享资源”从将文件获取作为风险缓解的交易性和对抗性解释转变为更有力的问责框架。
期刊介绍:
Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.