Configuraciones del chamanismo siona: modos de performance en los siglos XX y XXI

Maguare Pub Date : 2020-01-01 DOI:10.15446/MAG.V34N1.90387
E. J. Langdon
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引用次数: 3

Abstract

Based on decades of fieldwork, I explore the reconfigurations of Siona shamanism as a performative genre and cultural performance that expresses ethnic difference in the face of Colonial and post-Colonial violence. Since the 17th century, cycles of epidemics, missionary activities, extractive industries and the armed conflict changed the shaman’s role. The ceremonial leader of the pre-Colonial period reconfigured into the political-sacred (cacique) leader of Siona communities; external forces of the 20th century terminated this role and shamanic activities. Constitutional changes, recognition of indigenous rights and neoshamanic demand for yaje ceremonies revitalized Siona shamanism in the last decade of the 20th century. Shamanic performances have emerged as a key strategy for promoting ethnic distinctiveness in the negotiations between Indigenous communities, governmental and nongovernmental organizations, extractive industries and neoshamanic groups.
辛纳萨满教的配置:二十世纪和二十一世纪的表演模式
基于数十年的田野调查,我探索了作为一种表演类型和文化表演的辛纳萨满教的重构,这种表演类型和文化表演在面对殖民和后殖民暴力时表达了种族差异。自17世纪以来,流行病、传教活动、采掘业和武装冲突的循环改变了萨满的角色。前殖民时期的礼仪领袖被重新配置为锡奥纳社区的政治神圣领袖;20世纪的外部力量终止了这一角色和萨满活动。在20世纪的最后十年,宪法的改变、对土著权利的承认和新萨满教对雅杰仪式的要求使锡奥纳萨满教重新焕发了活力。在土著社区、政府和非政府组织、采掘业和新萨满团体之间的谈判中,萨满表演已经成为促进民族特色的关键策略。
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16
审稿时长
32 weeks
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