Terek – Instrumentumok – Hangok • Spaces—Instruments—Sounds

Abstract

At the beginning of the nineties, I became intensely interested in sounds and electronic music. I performed vocal music experiments, participated in domestic and international music cours-es and workshops. I created the recording studio of the Hungarian University of Applied Arts, where I taught creative voice for 11 years. In my writing, I present four of my musical performanc-es (Reservoir Concert , dieffenBACHia , Invisible Cities , Apotheosis of the Brick), in which—in addition to my musical ideas—the spatial and material conditions given and created by me played an important role. I explore their artistic motives, spatial, material, sound-musical considerations, and technological components.