Reaching across from here to there, in precarious times: Remote-teaching embodied creative practice through scores, instructions, and poetic invitations

Q3 Social Sciences
Alys Longley, Janaína Moraes, J. Cook
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引用次数: 0

Abstract

How can we attend to students’ experience of agency, spatiality, sensation, mobility, freedom, and play in tertiary dance and interdisciplinary arts education, while working through lockdowns or in readiness for them? How do we cultivate care, joy, and imagination in such teaching-learning situations? How do we create spaces that are grounded and focussed while also creating maximum space for independence, idiosyncrasy, experimentation, delight in material practice and difference? This article responds to the above question through ten vignettes narrated by Alys – a Masters and PhD supervisor and Course Director teaching undergraduate courses, Janaína and Joanna – post graduate students and teaching assistants on the same courses. Concepts of weak theory, articulated by Biesta (2009) and Kosofsky Sedgwick (1993), and the poetics of care (Tronto, 1998) are core to this article, which posits that as educators our commitment to wellbeing and our acts of care are of utmost importance in precarious times.
在不稳定的时代,从这里延伸到那里:远程教学通过乐谱、指导和诗歌邀请体现了创造性实践
我们如何在高等教育舞蹈和跨学科艺术教育中关注学生的能动性、空间性、感觉、流动性、自由和游戏的体验,同时通过封锁或为他们做好准备?在这样的教学情境中,我们如何培养关怀、快乐和想象力?我们如何创造有基础和集中的空间,同时又为独立、特质、实验、材料实践和差异创造最大的空间?本文通过Alys(教授本科课程的硕士和博士导师和课程主任)、Janaína和Joanna(同一课程的研究生和助教)讲述的十个小故事来回答上述问题。Biesta(2009)和Kosofsky Sedgwick(1993)阐述的弱理论概念,以及关怀的诗学(Tronto, 1998)是本文的核心,这篇文章认为,作为教育者,我们对福祉的承诺和我们的关怀行为在不稳定的时代是至关重要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Critical Studies in Teaching and Learning
Critical Studies in Teaching and Learning Social Sciences-Sociology and Political Science
CiteScore
1.40
自引率
0.00%
发文量
1
审稿时长
20 weeks
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