The two walking candles in James Joyce’s Ulysses

IF 0.3 2区 文学 N/A LANGUAGE & LINGUISTICS
Shigeo Kikuchi
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引用次数: 1

Abstract

Abstract Following the theory of textual thematization at the level of fictional narrative discourse (Kikuchi 2001, Lose heart, gain heaven: The false reciprocity of gain and loss in Chaucer’s Troilus and Criseyde. Neuphilologische Mitteilungen CII(4). 427–434; 2001, Unveiling the dramatic secret of “Ghost” in Hamlet. Journal of Literary Semantics 39(2). 103–117; 2012, O I just want to leave this place: Auden’s discourse of thematized self-alienation. Philologia 10. 61–72; 2013, Poe’s name excavated: The mediating function and the transformation of discourse theme into discourse rheme. Language and Literature 22(1). 3–8), this article examines how Stephen Dedalus and Leopold Bloom in James Joyce’s Ulysses are walking representations of “two candles” set at the head of a dying Dublin. This is one instance of a grand design which is repeated in many of his novels. In “The Sisters”, the first short story in Dubliners and the earliest work in which the grand design can be seen, the two candles are verbally placed at the head of the novel. Later in the story, this design reappears in the house of a dead priest where his two sisters, like the two candles, are holding a wake for him. In Ulysses, Dedalus and Bloom, after roaming through Dublin, stand side by side urinating outside Bloom’s house, like candles offered for one who has crossed the border from old life to new life. This scene presages Molly’s free flowing stream of consciousness in the last chapter, in which her thoughts flow across the syntactic demarcations between utterances, as if symbolizing the dissolution of borders. I shall discuss Joyce’s underlying intent in Ulysses by assuming that the stages in which Dedalus and Bloom roam through Dublin and then urinate together are the theme or topic, and that the demarcation-crossing of Molly’s stream of consciousness, namely, the resolution of the demarcation between the two distinct entities as represented by the two candles, is the rheme or comment on this theme.
詹姆斯·乔伊斯《尤利西斯》中的两支行走的蜡烛
根据小说叙事话语层面的文本主题化理论(菊池2001):《失心得天堂:乔叟《特洛伊罗斯与克里塞德》中得失的虚假互惠》。中华神经病学杂志[j];427 - 434;2001年,揭开《哈姆雷特》中“幽灵”的戏剧秘密。文学语义学杂志39(2)。103 - 117;2012,哦,我只想离开这个地方:奥登主题化的自我异化的话语。Philologia 10。61 - 72;2013年,坡的名字被挖掘:话语主位向话语述位的中介作用与转化。语言文学22(1)。这篇文章考察了詹姆斯·乔伊斯的《尤利西斯》中的斯蒂芬·迪达勒斯和利奥波德·布鲁姆是如何在垂死的都柏林的头上放置“两支蜡烛”的行走代表。这是在他的许多小说中反复出现的宏大设计的一个例子。在都柏林的第一部短篇小说《姐妹》中,两支蜡烛被口头放置在小说的开头,这是最早可以看到宏伟设计的作品。在故事的后面,这个设计再次出现在一个死去的牧师的房子里,他的两个妹妹,就像两根蜡烛一样,为他守灵。在《尤利西斯》中,德达罗斯和布鲁姆在都柏林漫步后,肩并肩站在布鲁姆的房子外面小便,就像为一个从旧生活跨越边界进入新生活的人献上的蜡烛。这一幕预示着Molly在最后一章自由流动的意识流,她的思想跨越了话语之间的句法界限,仿佛象征着边界的消解。我将讨论乔伊斯在《尤利西斯》中的潜在意图,假设德达罗斯和布鲁姆在都柏林漫步,然后一起小便的阶段是主题或主题,而莫莉意识流的跨越,即两支蜡烛所代表的两个不同实体之间界限的解决,是对这一主题的主题或评论。
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来源期刊
CiteScore
0.90
自引率
10.00%
发文量
19
期刊介绍: The aim of the Journal of Literary Semantics is to concentrate the endeavours of theoretical linguistics upon those texts traditionally classed as ‘literary’, in the belief that such texts are a central, not a peripheral, concern of linguistics. This journal, founded by Trevor Eaton in 1972 and edited by him for thirty years, has pioneered and encouraged research into the relations between linguistics and literature. It is widely read by theoretical and applied linguists, narratologists, poeticians, philosophers and psycholinguists. JLS publishes articles on all aspects of literary semantics. The ambit is inclusive rather than doctrinaire.
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