Distributed Authorship

IF 0.7 Q3 COMMUNICATION
K. Pearlman
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引用次数: 0

Abstract

A general misapprehension of what filmmakers do and how films are made has obscured the creative and cognitive complexity of the work women have been doing in film for over one hundred years. Using clips from the multi-award-winning short documentary I Want to Make a Film about Women (Pearlman et al. 2020), the video essay Distributed Authorship: An et al. Proposal of Creative Practice, Cognition, and Feminist Film Histories argues that filmmaking is an instance of “distributed cognition” and offers a provocation about the mythologizing of film authors. It then proposes a small, very small, but significant, very significant, adjustment to the stories we tell about filmmakers. I call this adjustment “et al.” and suggest that these five characters and a space are shorthand for an urgently needed change to understandings of collaboration, creativity, and cognition.
分布式的作者
人们对电影制作人的工作和电影的制作方式普遍存在误解,这种误解掩盖了一百多年来女性在电影领域所做工作的创造性和认知复杂性。视频文章《分布式作者:An et al.》使用了多次获奖的短纪录片《我想拍一部关于女性的电影》(Pearlman et al. 2020)中的片段。《创作实践、认知和女性主义电影史的建议》认为,电影制作是“分布式认知”的一个例子,并对电影作者的神话化提出了质疑。然后,它提出了一个很小的,非常小的,但非常重要的,非常重要的,对我们讲述的电影制作人的故事的调整。我把这种调整称为“等人”,并认为这五个字符和一个空格是对协作、创造力和认知的理解迫切需要改变的简写。
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来源期刊
Feminist Media Histories
Feminist Media Histories Arts and Humanities-History
CiteScore
0.70
自引率
0.00%
发文量
18
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