A Warm Meal and Kisses Too

IF 0.7 Q3 COMMUNICATION
S. Murray
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引用次数: 0

Abstract

Awareness of computers and computation rose considerably in the United States between 1939 and 1969. Press attention and public demonstrations showcased early robots and the push-button kitchen as two approachable yet fantastical examples of how computing processes might be applied to social life. Media coverage was hyperbolic and sensational, but also cautiously enthusiastic, skeptical, and sometimes dismissive. Public displays and print media consistently engaged signifiers of white, middle-class womanhood during the multidecade era when computers went from calculating machines to technologies families could begin to imagine in their homes. While much scholarship theorizes sensationalism as affective excess in opposition to the rational, the emergence of computing in this period necessitates a new consideration of sensationalistic media practices. The case of how publics were introduced to early ideas about computers is an opportunity to consider the complexity of sensationalism as a bundle of affects anchored in the iconography of white femininity, a mode I term sensible sensationalism.
一顿热乎乎的饭和一个吻
从1939年到1969年,美国人对计算机和计算的认识有了很大的提高。媒体的关注和公众的演示展示了早期的机器人和按钮式厨房,这是两个平易近人但又充满幻想的例子,说明了计算过程如何应用于社会生活。媒体的报道是夸张和耸人听闻的,但也谨慎地热情,怀疑,有时不屑一顾。在几十年的时间里,公共展览和印刷媒体一直在使用白人中产阶级女性的象征,在这段时间里,计算机从计算机器变成了家庭可以开始在家中想象的技术。虽然许多学者将轰动效应理论视为与理性相反的情感过度,但这一时期计算的出现需要对轰动效应媒体实践进行新的考虑。公众是如何被引入计算机的早期观念的,这是一个机会,可以把轰动效应的复杂性视为一种固定在白人女性形象中的一系列影响,一种我称之为明智的轰动效应的模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Feminist Media Histories
Feminist Media Histories Arts and Humanities-History
CiteScore
0.70
自引率
0.00%
发文量
18
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