Cultural Record Keepers: Legacy of a One-Man Book Maker

Randy Silverman, C. Baker
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引用次数: 1

Abstract

Late in 1983, Gregory Thompson, newly appointed head of Special Collections at the University of Utah’s Marriott Library, received a call from a local gentleman interested in selling some books. While the books in question were nice (copies of Limited Edition Club publications that paired prints by contemporary fine artists like Matisse and Picasso with important authors such as Joyce and Aristophanes), they were not very useful for building the Special Collections. However, after wandering into a back room and searching through the books, Margaret Landesman, head of collection development, came out holding three fine press books by Dard Hunter, causing quite a stir among the browsers. Thompson had not yet encountered Hunter’s work, but it was plain from the quality of the handmade materials that these were works of distinction.
《文化记录者:一个人的遗产
1983年底,犹他大学万豪图书馆(University of Utah’s Marriott Library)新任命的特藏部负责人格雷戈里·汤普森(Gregory Thompson)接到了一位当地绅士的电话,他有意出售一些书。虽然这些书不错(限量版俱乐部出版物的副本,将马蒂斯(Matisse)和毕加索(Picasso)等当代优秀艺术家与乔伊斯(Joyce)和阿里斯托芬(Aristophanes)等重要作家的版画结合在一起),但它们对建立特别收藏没有太大用处。然而,在逛了一间后屋,翻遍了所有的书之后,馆藏开发主管玛格丽特·兰德斯曼(Margaret Landesman)拿着三本由达德·亨特(Dard Hunter)撰写的精美纸质书走了出来,在浏览者中引起了不小的轰动。汤普森还没有见过亨特的作品,但从手工材料的质量来看,这些作品显然是与众不同的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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