{"title":"‘This sperm hits the bullseye’: Bollywood, youth and male (im)potency as a neoliberal game","authors":"Baidurya Chakrabarti","doi":"10.1386/safm_00020_1","DOIUrl":null,"url":null,"abstract":"This article, by closely examining the trajectory of the upcoming Bollywood star Ayushmann Khurrana, tries to unravel the constitutive fantasies that provide a significant degree of coherence to his star-image. Through a close textual reading, the article aligns these fantasies with the diurnal realities of neoliberal India. In these fantasies, the male protagonist is found to be (a) the privileged embodiment of a surplus/lack that comes to signify the ‘thing’ called the modern, but (b) the man and his sociality is not prepared yet to accept this ‘thing’, thus triggering comedy; it is only in romantic conjugation with (c) a working woman can this excess charge of the modern be resolved within the narratives. Using psychoanalytic insights, the article unpacks these fantasies as ones involving both a crisis and an ultimately infantile reaction to it.","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"15 1","pages":"71-85"},"PeriodicalIF":0.0000,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in South Asian Film and Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/safm_00020_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
This article, by closely examining the trajectory of the upcoming Bollywood star Ayushmann Khurrana, tries to unravel the constitutive fantasies that provide a significant degree of coherence to his star-image. Through a close textual reading, the article aligns these fantasies with the diurnal realities of neoliberal India. In these fantasies, the male protagonist is found to be (a) the privileged embodiment of a surplus/lack that comes to signify the ‘thing’ called the modern, but (b) the man and his sociality is not prepared yet to accept this ‘thing’, thus triggering comedy; it is only in romantic conjugation with (c) a working woman can this excess charge of the modern be resolved within the narratives. Using psychoanalytic insights, the article unpacks these fantasies as ones involving both a crisis and an ultimately infantile reaction to it.