‘Navigating the bubble’: Exploring student experiences of design writing

Q2 Arts and Humanities
Catherine Smith
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引用次数: 0

Abstract

Undergraduate design students at London College of Communication were interviewed about the relationship between their writing practice and their design practice. Gardner’s theory of multiple intelligences (1983) framed the study. This article takes the position that polarizing the relationship between linguistic (textual) and bodily kinaesthetic (visual) forms of intelligence itself becomes a barrier to arts students’ epistemological development. The well-rehearsed art school rhetoric of ‘I’m a visual person not a writer’ can become a self-fulfilling prophecy, disabling the potential to learn through writing. The research explored student perceptions and experiences of design writing, with data surfacing themes of anxiety, identity, artefact, articulation, process and value. Suggestions about how to support students to write about design praxis are presented for consideration.
“在泡沫中航行”:探索学生的设计写作经历
我们采访了伦敦传媒学院设计专业的本科生,了解他们的写作实践和设计实践之间的关系。加德纳的多元智能理论(1983)为这项研究提供了框架。语言智力(文本智力)与身体动觉智力(视觉智力)形式之间的两极分化本身就成为艺术类学生认识论发展的障碍。“我是一个视觉人,而不是一个作家”这样的艺术学校的说辞可能会成为一种自我实现的预言,使通过写作学习的潜力失效。该研究探讨了学生对设计写作的看法和经历,数据呈现了焦虑、身份、人工、表达、过程和价值等主题。关于如何支持学生写设计实践的建议被提出供考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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