Collaborative poaching: Compossibilities, notes, traces and narrative imagination

Q2 Arts and Humanities
Otto von Busch
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引用次数: 0

Abstract

This article suggests a method for cultivating a collaborative method of shared visual note-taking on seminar readings and discussions, built on the method of creative ‘poaching’ of each other’s contributions, using pencil and simple tracing technique on transparent papers. The method was developed and tested in a decade of workshops with the author and varying groups of participants, students, researchers and professionals, in academic text-based discussions, lectures and seminars. The method, speculative and collaborative, aims to assemble the participants’ ideas and contributions in compossible ways, that is, possibilities that support each other to build more convivial forms of annotation and idea generation, and where contributions flow into each other and with no clear delineation of order or between authors/contributors. This method of collaborative poaching produced convincing results and could be used as an exercise in semi-structured discussions and their creative documentation, cultivating a multiplicity of perspectives on human values and also support what Martha Nussbaum calls a ‘narrative imagination’.
合作挖角:可能性、笔记、痕迹和叙事想象
本文提出了一种在研讨会阅读和讨论中培养共享视觉笔记的合作方法,该方法建立在创造性地“偷猎”彼此的贡献的方法之上,使用铅笔和简单的追踪技术在透明纸上。该方法是在作者和不同的参与者群体、学生、研究人员和专业人员、基于文本的学术讨论、讲座和研讨会上进行的十年讲习班中开发和测试的。这种方法是推测性的和合作性的,旨在以可能的方式汇集参与者的想法和贡献,也就是说,相互支持以建立更愉快的注释和想法生成形式的可能性,并且贡献相互流动,没有明确的顺序或作者/贡献者之间的划分。这种合作偷猎的方法产生了令人信服的结果,可以作为半结构化讨论及其创造性文档的练习,培养对人类价值观的多种观点,也支持玛莎·努斯鲍姆所说的“叙事想象力”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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