‘Between Clean Sheets’: Twenga #8

Q2 Arts and Humanities
G. Wade, Paul Conneally, Emma Bolland, Tina Francis, Patrick Goodall, Brenda Hickin, James Kennedy, Mathew Parkin, Alison L. Raybould, Sid Sidowski, Yvette Greslé, Cathy Wade
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引用次数: 1

Abstract

‘Between Clean Sheets’ is a 100-verse #Twenga written by twelve ‘poets’ over a 63-day period on Twitter. It is the eighth #Twenga led by Paul Conneally and Gavin Wade hosted by Eastside Projects (@eprjcts). #Twenga is a Renga (linked verse) – a 1000-year-old Japanese form of extended haiku written by multiple authors – written live on Twitter. It is an incredibly successful shared artform displaying complex and sophisticated ways of collaborating and organizing space, time and thinking. The 100 verses are written to a hyakuin schema, adapted by Wade from the schema suggested by Conneally for their seventh #Twenga, originally used by the poet Sōgi in his ‘Solo Sequence of 1492’. The schema provides a theme for each verse such as Autumn, moon, love, equality and urgent actions. The themes provide an underpinning position and combine with a ‘link and shift’ reflection upon context, memory and imagination always written in the present.
“干净床单之间”:Twenga#8
《Between Clean Sheets》是12位“诗人”在推特上历时63天创作的100首诗#Twenga。这是由东区项目(@ eprjts)主持的保罗·康纳利(Paul Conneally)和加文·韦德(Gavin Wade)领导的第八次#Twenga。#Twenga是连诗,这是一种有1000年历史的日本俳句形式,由多位作者在推特上现场创作。这是一种非常成功的共享艺术形式,展示了协作和组织空间、时间和思维的复杂而复杂的方式。这100首诗是根据hyakuin模式写的,Wade根据Conneally为他们的第七首#Twenga所建议的模式改编,最初由诗人Sōgi在他的“1492年独奏序列”中使用。图式为每句诗提供了一个主题,如秋天、月亮、爱情、平等和紧急行动。这些主题提供了一个基础位置,并结合了对语境、记忆和想象的“联系和转移”反思,总是写在现在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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