I think I’m happy, she thought, but am I real?

Q2 Arts and Humanities
Carol Sommer
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引用次数: 1

Abstract

I am interested in the possibilities of redressing the absence of feminine subjectivity in the discourses surrounding Iris Murdoch’s philosophical and fictional writing. @cartography_for_girls is an Instagram account set up to share some of the expressions of feminine subjectivity sourced from within Murdoch’s 26 novels, originally published between 1954 and 1995. Murdoch’s incorporation of her particular metaphysical thinking into the reflections, deliberations and doubts of her fictional women characters made me wonder how these philosophically loaded impressions might fare on the affect- and information-driven social networking platform Instagram. ‘I think I’m happy, she thought, but am I real?’, for example, is an interior thought that resonates in ways more than metaphysical against the backdrop of Web 2.0, and is one of 100 posts shared daily from 21 October 2017 to 23 January 2018.
我想我是幸福的,她想,但我是真实的吗?
我感兴趣的是,在围绕着Iris Murdoch的哲学和小说写作的话语中,如何纠正女性主体性的缺失。@cartography_for_girls是一个Instagram账号,旨在分享默多克26部小说中女性主体性的一些表达,这些小说最初出版于1954年至1995年之间。默多克将她独特的形而上学思维融入到她虚构的女性角色的反思、思考和怀疑中,这让我想知道,这些充满哲学意味的印象会如何在情感和信息驱动的社交网络平台Instagram上产生影响。“我想我是幸福的,”她想,“但我是真实的吗?”例如,这是一个内在的想法,在Web 2.0的背景下,以一种超越形而上学的方式产生共鸣,是从2017年10月21日到2018年1月23日每天分享的100个帖子之一。
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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