‘Storying the self’: Autobiography as pedagogy in undergraduate creative writing teaching

Q2 Arts and Humanities
Jessica Moriarty, Ross Adamson
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引用次数: 2

Abstract

The telling and sharing of stories is synonymous with what it is to be human. The narrative threads reaching back through our personal histories can help us to make sense of who we are in the present and we already use these stories anecdotally, at school, on dates, over coffee, in the local, to make connections with people and our social worlds. At an academic level, storytelling that engenders meaning making is becoming legitimized as branch of qualitative research that can inform us about our culture and identity. Autoethnography is a methodology that links the self (auto) with ethno (culture) to research (graphy). Helping students to work in this way and make these connections in their assessed work can be a challenge, but it can also help them to identify the stories that already exist inside themselves and give them the confidence to believe that these stories might matter in the world beyond their writing journals and university lectures. In this article, the authors share personal stories to reflect on our pedagogic approach to undergraduate creative writing teaching.
“自我故事”:本科创意写作教学中的自传教学法
讲述和分享故事是人类的代名词。追溯我们个人历史的叙事线索可以帮助我们理解我们现在是谁,我们已经在学校、约会、喝咖啡、在当地用这些故事来与人们和我们的社会世界建立联系。在学术层面,产生意义的讲故事正在成为定性研究的一个分支,可以让我们了解我们的文化和身份。自我民族志是一种将自我(汽车)与民族(文化)联系起来进行研究(摄影)的方法。帮助学生以这种方式工作,并在他们的评估工作中建立这些联系可能是一个挑战,但它也可以帮助他们识别已经存在于自己内心的故事,并给他们信心,让他们相信这些故事可能在他们的写作日记和大学讲座之外的世界上很重要。在这篇文章中,作者分享了自己的故事来反思我们在本科创意写作教学中的教学方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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