Strategies for facilitating creative music collaboration online

IF 0.6 0 MUSIC
Adam Martin, Morten Büchert
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引用次数: 1

Abstract

Online collaboration between musicians in 2020 is a rapidly developing practice due to a range of environmental, epidemiological and creative motivations. The technical facility to collaborate in a variety of different formats exists via file-sharing services, video conferencing suites and specialist music services such as Splice and Auddly. Yet, given this proliferation of technologies, little attention has been paid into how creative musicians can most meaningfully utilize these new collaborative opportunities within their working practice. In this article, we wish to share some reflections from a case study of online music collaboration gained through our experience of facilitating three online songwriting camps with students from Leeds Conservatoire in the United Kingdom and Rhythmic Music Conservatory in Denmark. This article will particularly focus on the importance of managing roles, the impact of communication tools and the requirement for time management when collaborating online before proposing a set of guidelines derived from this study to help enable productive online creative collaboration.
促进创意音乐在线合作的策略
由于一系列环境、流行病学和创造性动机,2020年音乐家之间的在线合作是一种快速发展的做法。通过文件共享服务、视频会议套件和专业音乐服务(如Splice和Auddly),以各种不同格式进行协作的技术设施已经存在。然而,鉴于这种技术的扩散,很少有人关注有创造力的音乐家如何在他们的工作实践中最有意义地利用这些新的合作机会。在这篇文章中,我们希望分享一些关于在线音乐合作的案例研究,通过我们与英国利兹音乐学院和丹麦艺术音乐学院的学生一起组织三个在线歌曲创作营地的经验。本文将特别关注管理角色的重要性、通信工具的影响以及在线协作时对时间管理的要求,然后根据这项研究提出一套指导方针,以帮助实现高效的在线创意协作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.40
自引率
0.00%
发文量
6
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