The conservative restoration brings the 1907 Fiat 130 HP back on the track

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Davide Lorenzone, Chiara Armigliato, Ilaria Pani
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引用次数: 0

Abstract

The Fiat 130 HP, from the collection of the Museo Nazionale dell’Automobile of Torino, was the winner (driven by Turinese driver Felice Nazzaro) of the 1907 Grand Prix of the French Automobile Club, which took place on the Dieppe circuit. The car underwent a painstaking conservative and functional restoration from 2019 to 2021: this restoration has been essential for the museum to consolidate a new method, which considers historic cars as works of art and which follows the restoration guidelines of cultural heritage. Interventions were coordinated by MAUTO Restoration Center and carried out by craftsmen specialized in this sector. They included both the mechanics, which required thorough works, including the reconstruction of structural elements of the engine, and the bodywork, whose original color was rediscovered through scientific analyses. Other elements, which had been changed over the years and did not respect the original features of the vehicle, were corrected.
保守的修复带来了1907年菲亚特130马力回到轨道上
这辆由都灵国家汽车博物馆收藏的菲亚特130 HP是1907年在迪耶普赛道举行的法国汽车俱乐部大奖赛的冠军(由都灵车手Felice Nazzaro驾驶)。从2019年到2021年,该车经历了保守和功能的修复,这是博物馆将历史汽车视为艺术品并遵循文化遗产修复指南的新方法的必要步骤。干预措施由MAUTO修复中心协调,并由该领域的专业工匠进行。它们既包括机械方面的,这需要彻底的工作,包括重建发动机的结构元件,也包括车身,通过科学分析,车身的原始颜色被重新发现。多年来改变的其他元素,不尊重车辆的原始特征,得到了纠正。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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