Things rust but memories last forever: creative conservation in the industrial heritage

IF 0.4 N/A HUMANITIES, MULTIDISCIPLINARY
Ricardo Triães, Ânia Chasqueira, Ângela Ferraz
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引用次数: 1

Abstract

The concept of creative conservation began to be developed in 2012 by conservators from the Polytechnic Institute of Tomar. This approach, which begins with a process of resignification of fragmented objects, those apparently without possible recovery and on the verge of being discarded, has the goal to develop actions that encourage reflective thinking on preservation and collective memory. This article explores its application in industrial heritage through two case studies: Cartão de Ponto project (2012), based on the conservation of a set of timecards of former workers of the Spinning Mill of Tomar, and the ongoing POR1FIO project, which seeks to create an educational tool from preserved objects from the Torres Novas Nacional Spinning & Weaving Co. These projects demonstrate that creative conservation approach can be a new strategy to help the local community to establish positive memories based on their industrial heritage and to manage the trauma from the de-industrialization processes.
东西会生锈,但记忆永存:对工业遗产的创造性保护
2012年,托马尔理工学院(Polytechnic Institute of Tomar)的修复人员开始提出创造性保护的概念。这种方法始于对碎片化物体的重新设计过程,这些物体显然没有可能恢复,处于被丢弃的边缘,其目标是发展鼓励对保存和集体记忆进行反思的行动。本文通过两个案例探讨其在工业遗产中的应用:cart o de Ponto项目(2012),基于托马尔纺纱厂前工人的一组工卡的保存,以及正在进行的POR1FIO项目,该项目旨在利用托雷斯新国家纺织公司保存下来的物品创造一种教育工具。这些项目表明,创造性的保护方法可以成为一种新的策略,帮助当地社区在工业遗产的基础上建立积极的记忆,并管理去工业化过程带来的创伤。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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