Investigating five totalizing counters manufactured by the Alphonse Darras company of the CNAM collections in Paris

IF 0.4 N/A HUMANITIES, MULTIDISCIPLINARY
J. Schröter, Cyrille Foasso, L. Bellot‐Gurlet, L. Brambilla
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引用次数: 0

Abstract

The paper reports the study of five totalizing counters preserved in the collections of the CNAM (museum of the French National Conservatory of Arts and Crafts) in Paris. These artefacts are part of a corpus of over forty counters attributed to the Darras company founded by engineer Alphonse Darras (1860-1936). In the framework of the LacCA project at Haute Ecole Arc, Neuchâtel (Switzerland), dedicated to the characterization of lacquered copper-alloys, our attention was drawn to the different aspects of the object’s coatings. Lacquers were frequently applied to technical objects to both protect them from corrosion and provide an esthetical appearance. Five totalizing counters showing various typologies and surface colours were chosen from the set and explored by a non-invasive multi analytical approach. The comparative study – investigating lacquering processes and materials - contributes to the historical study of these artefacts.
调查了巴黎CNAM系列的Alphonse Darras公司生产的五个总计计数器
这篇论文报道了对巴黎CNAM(法国国家工艺美术学院博物馆)收藏的五个总计计数器的研究。这些文物是由工程师Alphonse Darras(1860-1936)创立的Darras公司的40多个计数器的一部分。在瑞士neuch特尔的高等电弧学院(Haute Ecole Arc)的LacCA项目框架内,致力于漆铜合金的表征,我们的注意力被吸引到物体涂层的不同方面。漆经常被应用于技术对象,既保护他们免受腐蚀,又提供美观的外观。从集合中选择了五个显示不同类型和表面颜色的总计计数器,并通过非侵入性的多分析方法进行了探索。比较研究-调查漆工艺和材料-有助于这些文物的历史研究。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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