Wyspa jako scena teatralna: teatr społeczny od Navarra do Brancatiego

A. Sgroi
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引用次数: 0

Abstract

In the works of Sicilian writers it is easy to notice the transformation of the island into a sort of a big stage with moving characters that become authentic actors who, in the same stage, perform the most disparate roles. The sign of the simulation thus connotes the interweaving of the stories of De Roberto, Tomasi, Consolo, and many others. Here, this theme is analysed, focusing on the most significant texts of the greatest Sicilian writers.
作为戏剧舞台的岛屿:从纳瓦拉到布兰卡蒂的社会剧场
在西西里作家的作品中,我们很容易注意到,西西里岛变成了一个大舞台,舞台上的动人人物变成了真正的演员,他们在同一个舞台上扮演着最不同的角色。因此,模拟的标志意味着德罗伯托、托马西、孔索洛和许多其他人的故事交织在一起。在这里,这个主题被分析,集中在最伟大的西西里作家的最重要的文本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
自引率
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发文量
15
审稿时长
21 weeks
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