The New Role of Javanese Traditional Performing Arts: A Case Study of Educational and Socially Transformative Gamelan Music Programs in Prisons

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Kaori Okado
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引用次数: 1

Abstract

In this present study, I examine the bene!ts of a Javanese Gamelan programconducted over two months at a juvenile prison in Central Java. The participantswere 40 teenage prisoners between 13 and 19. Many of them exhibited dramaticchanges in behavior, sociability, and self con!dence during the course of thisgamelan program. I also compare this program with a similar one at a prison inEngland. Through this comparison, I explore the signi!cance of using a traditionalperforming art, the Javanese Gamelan in a case where it is a local tradition andone where it is not. In present day Javanese society, due to the effects of globalization,the decline of traditional performing arts is a matter of concern. However, Idemonstrate that it is possible for this type of program to add new value to traditionalperforming arts and re-invigorate this traditional art while simultaneouslyempowering local society.
爪哇传统表演艺术的新角色:监狱中教育和社会变革佳美兰音乐项目的案例研究
在目前的研究中,我检查的好处!这是在中爪哇一所少年监狱进行的为期两个多月的爪哇甘美兰音乐项目。参与者是40名13到19岁的青少年囚犯。他们中的许多人在行为、社交和自我欺骗方面表现出巨大的变化!在这个佳美兰节目的过程中。我还将这个项目与英国一所监狱的类似项目进行了比较。通过这种比较,我探索了signi!使用一种传统表演艺术的机会,爪哇佳美兰,在某种情况下是当地的传统,而在另一种情况下不是。在当今爪哇社会,由于全球化的影响,传统表演艺术的衰落是一个令人担忧的问题。然而,我证明了这种类型的项目可以为传统表演艺术增加新的价值,并在赋予当地社会权力的同时重新振兴这种传统艺术。
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来源期刊
Journal of Urban Culture Research
Journal of Urban Culture Research HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
40.00%
发文量
0
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