Attributing John Marston’s Marginal Plays

IF 0.4 0 LANGUAGE & LINGUISTICS
Darren Freebury-Jones, M. Tarlinskaja, Marcus Dahl
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引用次数: 1

Abstract

John Marston (c. 1576–1634) was a dramatist of the Elizabethan and Jacobean periods, known for his satirical wit and literary feuds with Ben Jonson. His dramatic corpus consists of nine plays of uncontested authorship. This article investigates four additional plays of uncertain authorship which have been associated with Marston: Lust’s Dominion; Histriomastix; The Family of Love; and The Insatiate Countess. The internal evidence for Marston’s hand in these four texts is examined and an analysis made of the potential divisions of authorship. The essay provides a survey of Marston’s individual style by testing vocabulary; prosody; collocations of thought and language; and versification habits within both his acknowledged plays and the contested texts, in comparison to plays written by other authorship candidates.
约翰·马斯顿边缘性戏剧的成因
约翰·马斯顿(约1576-1634年)是英国伊丽莎白一世和詹姆士一世时期的剧作家,以讽刺的机智和与本·琼森的文学斗争而闻名。他的戏剧语料库由九部无可争议的作品组成。本文研究了另外四部与马斯顿有关的作者不详的戏剧:《欲望的统治》;Histriomastix;爱的家庭;和贪得无厌的伯爵夫人。马斯顿在这四个文本中的内部证据进行了检查,并对作者的潜在划分进行了分析。本文通过词汇测试对马斯顿的个人风格进行了考察;韵律;思想和语言的搭配;在他公认的剧本和有争议的文本中,以及与其他作者候选人所写的剧本相比,他的诗作习惯。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studia Metrica et Poetica
Studia Metrica et Poetica LANGUAGE & LINGUISTICS-
CiteScore
0.60
自引率
16.70%
发文量
6
审稿时长
16 weeks
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