An Antiquarian Gift – a Collection of Perm Animal-Style Plaquettes in Estonian History Museum

IF 0.1 0 ART
T. Jonuks, R. Saage
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引用次数: 1

Abstract

in 1873, a short notice appeared in the Revalsche Zeitung (no. 256, 02.11.1873), in which the Provincial museum, currently the estonian History museum, introduced the new museum exhibits that had arrived in its collection. Among other new objects in the collection of antiquities was a collection of finds, which were supposedly excavated from the central course of the Pechora river, and had been brought to estonia by Paul von Krusenstern, gifted to Karl ernst von Baer and thereafter donated to the Provincial museum. the collection (Am 196) includes iron and lithic points as well as human and animal-shaped plaquettes. this collection, which is rare and foreign for estonia, has received little attention, and during the past 150 years, only a few objects have been mentioned within the framework of some broader analyses.1 However, the collection as a whole has never been introduced. By 1873 Paul von Krusenstern had visited the Pechora river several times. A thorough descriptive book on the first expedition was pub-
一份古物的礼物——爱沙尼亚历史博物馆收藏的一批烫发动物风格的牌匾
1873年,一个简短的通知出现在《德国革命报》(第19号)上。其中,省博物馆(现为爱沙尼亚历史博物馆)介绍了其收藏的新博物馆展品。在古物收藏的其他新物品中,有一批发现物据说是从佩霍拉河中央河道中挖掘出来的,由保罗·冯·克鲁森斯特恩带到爱沙尼亚,赠予卡尔·恩斯特·冯·贝尔,后来又捐赠给省博物馆。该系列(Am 196)包括铁和石器,以及人类和动物形状的斑块。这些藏品对爱沙尼亚来说是罕见的,是外国的,很少受到关注,在过去的150年里,在一些更广泛的分析框架内,只有少数几件物品被提及然而,整个系列从未被介绍过。到1873年,保罗·冯·克鲁森斯特恩已经多次访问了佩科拉河。一本关于第一次探险的详细描写的书出版了
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来源期刊
CiteScore
0.20
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0.00%
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0
期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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