Myth. Genius. Art: The Autumn School of Department of Art History of the University of Tartu

IF 0.1 0 ART
Holger Rajavee
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引用次数: 0

Abstract

The Autumn School organised by the Department of Art History of the University of Tartu called “Myth. Genius. Art” was held on October 15th and 16th of this year. And as has been the tradition, the fourth Autumn School was conducted in cooperation with the University of Tartu Art Museum. In some respects, this time the event consciously continued the provocative approach of last year’s Autumn School (the title in 2014 was “Art and Beauty”) – with the goal of “revitalizing” concepts and phenomena that have been relegated to the background in art theory during recent decades. Based on the presentations that were heard during the two days, one can say that the choice of topics within the framework of the designated title ended up covering an extremely wide spectrum, which was the other goal of the Autumn School, i.e. to broaden the circle of topics to include as many facets as possible by including presentations by specialists from different fields. Philosopher and man of letters Ulo Matjus, who is the Professor of Estonian Philosophy at the University of Tartu, started the first day off with his presentation, “Art in the Era of Realizing Modern History”. Well-known for having “Estonianized” the works of Martin Heidegger, Matjus dealt with the change in the meaning of art in the present day through the author. Based on Heidegger’s statement that art is a machin-
神话。天才。艺术:塔尔图大学艺术史系秋季学院
塔尔图大学艺术史系举办的秋季学校名为“神话”。天才。“艺术”在今年10月15日和16日举行。按照传统,第四届秋季学校是与塔尔图大学美术馆合作举办的。在某些方面,这一次的活动有意识地延续了去年秋季学校(2014年的标题是“艺术与美”)的挑衅方式,目的是“重振”近几十年来在艺术理论中被边缘化的概念和现象。根据这两天所听取的报告,可以说,在指定标题的框架内,主题的选择最终涵盖了非常广泛的范围,这是秋季学校的另一个目标,即通过包括来自不同领域的专家的报告,扩大主题的范围,以包括尽可能多的方面。塔尔图大学爱沙尼亚哲学教授、哲学家和文学家乌洛·马朱斯(Ulo Matjus)以题为“实现现代史时代的艺术”的演讲开始了第一天的休假。Matjus以“爱沙尼亚化”马丁·海德格尔的作品而闻名,他通过作者处理了当今艺术意义的变化。基于海德格尔关于艺术是机器的陈述
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来源期刊
CiteScore
0.20
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0
期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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