Il potere della tradizione : Guillaume Du Tillot e la questione della nobiltà

IF 0.1 4区 历史学 Q4 HISTORY
Alessandro Cont
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引用次数: 1

Abstract

Francois-Guillaume-Leon Du Tillot, thanks to its leading role in the government of the Duchy of Parma, Piacenza and Guastalla and the interest aroused in Europe by his reform activity during the seventh decade of the 18th century, wove multiple and complex relationships with the nobilities of the Italian peninsula. He made use of the grants of offices and dignities in the court, in the diplomacy and in the army of the infant duke of Parma to cement the loyalty of the ancient aristocracy, primarily those of the State, to the Bourbons and to consolidate his own personal power. At the same time, the foundation of the Academy of Fine Arts in Parma and the establishment of a prize for tragedies and comedies in Italian promoted the direct involvement of noblemen, even foreigners, in the political and cultural projects of the prime minister. In addition, the contacts with the ducal court provided to the members of the aristocracy the suited opportunity to take advantage of the close relationship between Parma and Paris, for example visiting, in the French metropolis, important personalities from the diplomatic, financial and intellectual world. Nevertheless, the drastic jurisdictionalistic measures of the government caused increasing misunderstanding and hostility of the noble class against Du Tillot, which played an important role in creating the political conditions to the fall of the minister, in 1771.
传统的力量:纪尧姆·杜·蒂洛特和高贵的问题
Francois-Guillaume-Leon Du Tillot,由于其在帕尔马、皮亚琴察和瓜斯塔拉公国政府中的领导作用,以及18世纪70年代他的改革活动在欧洲引起的兴趣,与意大利半岛的贵族们建立了多种复杂的关系。他利用在宫廷、外交和幼小的帕尔马公爵的军队中授予的官职和尊严来巩固古代贵族,主要是国家贵族,对波旁王朝的忠诚,巩固他自己的个人权力。与此同时,帕尔马美术学院的成立和意大利悲剧和喜剧奖的设立促进了贵族,甚至是外国人,直接参与首相的政治和文化项目。此外,与公爵宫廷的接触为贵族成员提供了适当的机会,利用帕尔马与巴黎之间的密切关系,例如在法国大都市访问外交,金融和知识界的重要人物。然而,政府严厉的司法措施引起了贵族阶层对迪蒂洛越来越多的误解和敌意,这在1771年大臣下台的政治条件中发挥了重要作用。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
43
期刊介绍: La «Nuova Rivista Storica» fu fondata nel 1917 da Corrado Barbagallo: era in corso la prima guerra mondiale ed è probabile che quanto avveniva nel nostro paese e in tutta l’Europa sia stato determinante nel condizionarne il programma che fu pensato «un po’ diverso da quello comune alle altre riviste storiche» (Il nostro programma, firmato La Redazione, fasc.1, a. 1 gennaio-marzo 1917). In esso si auspicava infatti di poter «esercitare una speciale azione nell’ambito della nostra cultura storiografica: quella che nel pensiero dei suoi ideatori è parsa la più conforme ai bisogni dell’ora che volge».
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