Chinese Glass Paintings in Bangkok Monasteries

IF 0.2 1区艺术学 0 ART

ARCHIVES OF ASIAN ART Pub Date : 2016-09-09 DOI:10.1353/AAA.2016.0015

J. Patterson

引用次数: 5

Abstract

Reverse glass paintings, a form of Chinese export art, were extensively traded in the nineteenth century. Several examples are on display in prominent Thai Buddhist monasteries in Bangkok. King Nangklao of Siam, Rama III, encouraged Sino-Siamese trade that brought Chinese objects and images to nineteenth-century Siam. The ideals of accretion and abundance characteristic of Thai Buddhism and the sinophilia of Rama III facilitated the construction of “Chinese-style” Thai temples. Glass paintings with scenes of the Pearl River Delta, Romance of the Three Kingdoms, auspicious objects, and bird-and-flower compositions were installed in temples and inspired new directions in Thai mural painting.

查看原文本刊更多论文

曼谷寺院的中国玻璃画

反玻璃画是中国出口艺术的一种形式，在19世纪被广泛交易。在曼谷著名的泰国佛教寺院中展出了一些这样的例子。暹罗国王南老拉玛三世(Rama III)鼓励中暹贸易，将中国的物品和图像带到19世纪的暹罗。泰式佛教的增裕理想和罗摩三世的亲华思想促进了“中国式”泰式寺庙的建设。描绘珠江三角洲、三国演义、吉祥物品和花鸟的玻璃画被安装在寺庙里，激发了泰国壁画的新方向。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

ARCHIVES OF ASIAN ART Multiple-

CiteScore

0.40

自引率

20.00%

发文量

期刊介绍： Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.