The Thousand-armed Mañjuśrī at Dunhuang and Paired Images in Buddhist Visual Culture

IF 0.2 1区 艺术学 0 ART
Michelle C. Wang
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引用次数: 5

Abstract

The Thousand-armed Mañjuśrī is an enigmatic form of the bodhisattva that appeared primarily in the Mogao cave shrines in northwestern China. There, the deity was nearly always paired with the Thousand-armed Avalokiteśvara on opposite walls or on opposite sides of a doorway. Curiously, this pairing is absent from any of the Buddhist sutras associated with the two. This article argues that texts were a starting point rather than an end point for the establishment of the Thousand-armed Mañjuśrī’s iconographic characteristics, and that the pairing of the two deities is crucial for understanding the gaps between the deity’s textual description and its visual representation.
敦煌千臂Mañjuśrī与佛教视觉文化中的成对意象
千臂Mañjuśrī是一种神秘的菩萨形象,主要出现在中国西北部的莫高窟。在那里,神像几乎总是与千臂神像Avalokiteśvara成对地出现在相对的墙壁上或门口的两侧。奇怪的是,在任何与这两者相关的佛经中都没有这种配对。本文认为,文本是千手Mañjuśrī形象特征确立的起点而非终点,而这两个神灵的配对对于理解神灵的文本描述与视觉表现之间的差距至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
20.00%
发文量
13
期刊介绍: Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.
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