King Jeongjo’s Patronage of Kim Hong-do

IF 0.2 1区 艺术学 0 ART
K. Kim
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引用次数: 1

Abstract

The eighteenth-century Korean painter Kim Hong-do 金弘道 (1745–ca. 1806) still dazzles today’s viewers with his paintings of genre scenes and Daoist immortals, just as he astonished his contemporaries with his talent and versatility. Although he had numerous patrons, none had as much impact on his art as King Jeongjo 正祖 (r. 1776–1800). By examining written records and Kim’s extant paintings, this paper explores and assesses the significance of King Jeongjo’s patronage in unlocking the opportunities that enabled Kim Hong-do to reach his full potential as the most versatile painter in Korea.
正祖王对金弘道的庇护
18世纪韩国画家金弘道金氏(1745-ca。(1806年)的风俗画和道教神仙画仍然让今天的观众眼花缭乱,正如他的才华和多才多艺令同时代的人震惊一样。虽然他有很多赞助人,但没有一个人对他的艺术产生了像正祖(约1776-1800)那样大的影响。通过研究文字记录和金弘道现存的画作,本文探索和评估了正祖国王的赞助在释放机会方面的重要性,使金弘道能够充分发挥他作为韩国最多才多艺的画家的潜力。
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来源期刊
CiteScore
0.40
自引率
20.00%
发文量
13
期刊介绍: Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.
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