A Dot on the Map: Some Remarks on the Magazine Nová Bratislava

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Sonia de Puineuf
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引用次数: 3

Abstract

prohibitions against consulting the archives in the countries of the former communist block. Numerous research projects have allowed scholars to advance their knowledge of the active avant-garde circles in Central Europe in the 1920s and 1930s—a taboo subject during the postwar period. Some remarkable fi ndings have already brought to light a wealth of artistic creations. This impulse of rediscovery has offered new views of the theory of centers and peripheries: one removes Paris from its throne as the capital of arts, one pits the cosmopolitan Berlin against the infl uential Moscow, and between these east-west poles, one revalorizes Warsaw, Prague, Zagreb and Bucharest. However, within this revised historic-artistic geography, there are some areas of relative obscurity. There is considerable disparity between the amount of research into (and presentation of ) art and literature of the Czech Republic, Hungary, and Poland on the one hand compared to that of Bulgaria, Romania, and Slovakia on the other. 1
地图上的一个点:对《新布拉迪斯拉发》杂志的一些评论
禁止查阅前共产主义集团国家的档案。大量的研究项目使学者们能够进一步了解20世纪20年代和30年代中欧活跃的先锋派圈子——这在战后时期是一个禁忌话题。一些引人注目的发现已经为我们带来了丰富的艺术创作。这种重新发现的冲动为中心和边缘理论提供了新的观点:有人把巴黎从艺术之都的宝座上拿下来,有人把国际化的柏林与有影响力的莫斯科对立起来,有人在东西两极之间重新振兴华沙、布拉格、萨格勒布和布加勒斯特。然而,在这个修订后的历史艺术地理中,有一些相对模糊的领域。与保加利亚、罗马尼亚和斯洛伐克相比,捷克共和国、匈牙利和波兰对艺术和文学的研究(和展示)数量存在相当大的差距。1
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来源期刊
Journal of Modern Periodical Studies
Journal of Modern Periodical Studies Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
自引率
0.00%
发文量
8
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