The Girls Who Do Not Eat: Food, Hunger, and Thinness in Meg Rosoff’s How I Live Now and Laurie Halse Anderson’s Wintergirls

Pub Date : 2014-06-01 DOI:10.1353/JEU.2014.0007
H. Tsai
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引用次数: 6

Abstract

Critics have suggested that anorexia occurs frequently among middle-class and upper-middle-class adolescent girls. Going through a crucial stage of their development, they starve themselves voluntarily in times of plenty amid societal pressures to be thin. Published in the last decade, the two novels examined here serve as a locus for an analysis of this increasingly prevailing phenomenon and its connection to current social conditions. Drawing on food studies and on existing research on anorexia, this paper explores the significance of food, hunger, and thinness in both novels. Through its depiction of the protagonist’s experiences of genuine hunger and wartime scarcity, Meg Rosoff’s How I Live Now urges a re-evaluation of familiar experiences of food and the prevailing views of thinness that are broadly accepted in societies of abundance. Laurie Halse Anderson’s Wintergirls presents a remarkable insight into a culture that encourages consumption and praises weight loss, revealing a pressing need for reform of both notions.
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《不吃东西的女孩:食物、饥饿和消瘦》分别出现在梅格·罗索夫的《我现在的生活》和劳里·哈尔斯·安德森的《冬姑娘》中
批评人士认为,厌食症经常发生在中产阶级和中上层阶级的青春期女孩中。她们正处于发育的关键阶段,在社会要求她们变瘦的压力下,她们在丰衣足食的时候自愿挨饿。这两部小说出版于近十年,本文考察的两部小说是对这一日益普遍的现象及其与当前社会状况的联系的分析。通过对食物的研究和对厌食症的现有研究,本文探讨了这两部小说中食物、饥饿和消瘦的意义。梅格·罗索夫(Meg Rosoff)的《我现在的生活》(How I Live Now)通过描写主人公真正的饥饿和战时物资匮乏的经历,敦促人们重新评估熟悉的食物体验,以及在富裕社会被广泛接受的关于瘦的主流观点。劳里·哈尔斯·安德森的《冬姑娘》对鼓励消费和赞扬减肥的文化进行了深刻的洞察,揭示了对这两种观念进行改革的迫切需要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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