Ο Συγγραφέας μέσα στη διήγηση. Η περίπτωση του Βίου της Θεοφανούς

Q4 Arts and Humanities
Αναστασία Πετροπούλου
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引用次数: 0

Abstract

The Life of Theophano is a fine literary product (end of the ninth century). Although the author maintains his anonymity until the end of the Vita , his role in the narration is of great importance to the interpretation of the Life . He appears constantly behind the words and “winks” at his audience, while at the same time -in the last chapters of the hagiographical text- he and his family become active members of the narration and parallely the only recipients of saint’s miracles. This fact in combination with the glorified portrait of the emperor Leo VI, the presentation of Stylianos Zaoutzes as the savior of the emperor and the absence of any reference to patriarch Euthymios, the spiritual father of the imperial couple, constitute an interesting question. Undoubtedly the author’s special position in the narrative gives answers to the majority of the questions that the Life of Theophano raises.
故事中的作者。神的生命个案
《提奥法诺传》是一部优秀的文学作品(9世纪末)。虽然作者在《维塔》结束前一直保持着匿名,但他在叙事中的作用对《生命》的解读具有重要意义。他不断地出现在字里行间,向他的观众“眨眼”,而与此同时,在圣徒传记文本的最后几章中,他和他的家人成为叙述的积极成员,同时也是圣徒奇迹的唯一接受者。这一事实与利奥六世皇帝的荣耀画像、斯蒂利亚诺斯·扎乌茨作为皇帝的救世主的呈现以及没有提及这对皇帝夫妇的精神之父族长尤西米奥斯的情况相结合,构成了一个有趣的问题。毫无疑问,作者在叙事中的特殊地位为《西奥法诺的一生》提出的大多数问题提供了答案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Byzantin Symmeikta
Byzantin Symmeikta Arts and Humanities-Classics
CiteScore
0.20
自引率
0.00%
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0
审稿时长
16 weeks
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