Imagining a Poetics of Loss

IF 0.3 Q3 AREA STUDIES
Bayan Al-Dahiyat, Ahmad Y. Majdoubeh
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引用次数: 0

Abstract

This article aims at showing how the poetry of Joy Harjo and Saadi Youssef becomes the imagined geography of the Muscogee (Creek) nation and Iraq respectively. Despite the different contexts of struggle, both poets depict a national community through imagining a decolonized geographical space where intellectuals and poetry act as witnesses to defy the colonial erasure of memory. This article will attempt to highlight certain intellectual and literary texts that take active part in imagining and presenting an anti-colonial counter discourse that would lead to a new understanding of national identity and nation. It will rely on Bill Ashcroft’s theory of Postcolonial Utopianism and building imagined homelands as well as Benedict Anderson’s concept of imagined communities. Representative poems from the two poets, Joy Harjo and Saadi Youssef, will be examined in order to shed light on the theoretical and imaginative creation of nations.
想象失去的诗学
本文旨在展示Joy Harjo和Saadi Youssef的诗歌如何分别成为Muscogee(克里克)国家和伊拉克的想象地理。尽管斗争的背景不同,但两位诗人都通过想象一个非殖民化的地理空间来描绘一个民族共同体,在这个空间里,知识分子和诗歌成为反抗殖民抹去记忆的见证人。本文将试图突出一些积极参与想象和呈现反殖民反话语的知识和文学文本,这些话语将导致对国家认同和国家的新理解。它将依赖于比尔·阿什克罗夫特的后殖民乌托邦理论和构建想象的家园,以及本尼迪克特·安德森的想象社区的概念。两位诗人乔伊·哈乔(Joy Harjo)和萨阿迪·优素福(Saadi Youssef)的代表性诗歌将被研究,以阐明国家的理论和想象创造。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Arab Studies Quarterly
Arab Studies Quarterly AREA STUDIES-
CiteScore
0.80
自引率
33.30%
发文量
7
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