Situazione e ripetizione: Debord e Deleuze

IF 0.1 0 PHILOSOPHY
D. Angelucci
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引用次数: 0

Abstract

The focus of this article is on the concept of “situation”, which lies at the very origin of the Situationist International , as it has been theorized in particular by Guy Debord. The aim of this paper will be to show the relationship between Debord’s concept of situation and the concept of repetition as theorized by Deleuze in Difference and repetition (1968). Such a conceptual proximity allows us to grasp some less known aspects of Debord’s thought, in respect to the critical part of his own reflection, which is much more known. Both authors share a similar conception about the peculiar structure of repetition like its own specific temporality. Such a commonality is manifest in various typical situationist proceedings; in particular: derive , detournement and cinema (considered as way to overcome the alienation of art).
黛博拉和德鲁兹
本文的重点是“情境”的概念,它是情境主义国际的起源,特别是由居伊·德波(Guy Debord)理论化。本文的目的是展示德波的情境概念与德勒兹在《差异与重复》(1968)中提出的重复概念之间的关系。这种概念上的接近使我们能够掌握德波思想中一些鲜为人知的方面,相对于他自己反思的关键部分,这是更广为人知的。两位作者对重复的特殊结构有着相似的看法,就像它自己特定的时间性一样。这种共性体现在各种典型的情境主义诉讼中;特别是:派生、走失和电影(被认为是克服艺术异化的方式)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.10
自引率
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发文量
16
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