{"title":"La sustitución del retablo mayor del monasterio de San Leandro de Sevilla y su promotora doña Teresa de Anguiano y Cárdenas.","authors":"Salvador Guijo Pérez","doi":"10.12795/la.2019.i31.41","DOIUrl":null,"url":null,"abstract":"espanolEl articulo versa sobre la sustitucion del retablo mayor del siglo XVI del Real Monasterio de San Leandro de Sevilla tras la entrada en el mismo de la religiosa dona Teresa de Anguiano y Cardenas a mediados del siglo XVIII. Para la realizacion del mismo es preciso estudiar el retablo sustituido, asi como la evolucion del mismo. Todo ello se realiza principalmente a partir de la documentacion inedita del monasterio. Tras dicho estudio podemos analizar el contexto en el que se generaban las obras de arte, asi como las condiciones y obligaciones de los contratantes. EnglishThe paper deals with the replacement of the 16th century altarpiece of the Royal Monastery of San Leandro in Seville, after the entrance of the religious Teresa de Anguiano y Cardenas, in the mid18th century. For the realization of the same it is necessary to study the substituted altarpiece, as well as the evolution of it. All this is done mainly from the original documentation of the Monastery. After this study we can analyze the context in which the works of art were generated, as well as the conditions and obligations of the contractors.","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Laboratorio de Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12795/la.2019.i31.41","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 2
Abstract
espanolEl articulo versa sobre la sustitucion del retablo mayor del siglo XVI del Real Monasterio de San Leandro de Sevilla tras la entrada en el mismo de la religiosa dona Teresa de Anguiano y Cardenas a mediados del siglo XVIII. Para la realizacion del mismo es preciso estudiar el retablo sustituido, asi como la evolucion del mismo. Todo ello se realiza principalmente a partir de la documentacion inedita del monasterio. Tras dicho estudio podemos analizar el contexto en el que se generaban las obras de arte, asi como las condiciones y obligaciones de los contratantes. EnglishThe paper deals with the replacement of the 16th century altarpiece of the Royal Monastery of San Leandro in Seville, after the entrance of the religious Teresa de Anguiano y Cardenas, in the mid18th century. For the realization of the same it is necessary to study the substituted altarpiece, as well as the evolution of it. All this is done mainly from the original documentation of the Monastery. After this study we can analyze the context in which the works of art were generated, as well as the conditions and obligations of the contractors.
替换塞维利亚圣莱安德罗修道院的主祭坛和它的发起人dona Teresa de Anguiano y cardenas。
这篇文章是关于在18世纪中期安圭亚诺和卡德纳斯的修女多娜·特蕾莎进入修道院后,塞维利亚圣莱安德罗皇家修道院16世纪祭坛的替换。为了实现它,有必要研究替换的祭坛,以及它的演变。所有这些都是由修道院的原始文件完成的。在这项研究之后,我们可以分析艺术品产生的背景,以及承包商的条件和义务。在18世纪中期,在安圭亚诺和卡德纳斯的宗教特蕾莎的入口之后,塞维利亚圣莱andro皇家修道院的16世纪祭坛被取代。为实现of the same it is必要to study the substituted altarpiece, as well as the evolution of it。All this is捐mainly from the寺院的原始文件。在这项研究之后,我们可以分析艺术作品产生的背景,以及承包商的条件和义务。