{"title":"Attempted Iconoclasm","authors":"Andrew Ollett","doi":"10.1215/1089201x-9987762","DOIUrl":null,"url":null,"abstract":"\n Dhanapāla's hymn to the image of Mahāvīra at Sanchore, composed in Apabhramsha around the beginning of the eleventh century, has been recognized to contain the earliest reference in an Indian language to Maḥmūd of Ghazna's raids in northwestern India in 1024, culminating in his destruction of the temple of Shiva at Somnath, in Gujarat. This hymn has been read as referring to another act of iconoclasm—or rather attempted iconoclasm, since it was ultimately unsuccessful—by Maḥmūd of Ghazna. This article shows that the attempted iconoclasm in question is not Maḥmūd's, but rather that of an earlier king. These earlier events, together with the geography of conquest and pilgrimage provided by Dhanapāla, suggest a political subtext for the hymn; namely, a veiled critique of the inability of the Cauḷukya kings of Gujarat to protect the religious landscape, and a veiled praise of Dhanapāla's friend and patron, the Paramāra king Bhōja.","PeriodicalId":51756,"journal":{"name":"Comparative Studies of South Asia Africa and the Middle East","volume":"1 1","pages":""},"PeriodicalIF":0.8000,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comparative Studies of South Asia Africa and the Middle East","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/1089201x-9987762","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Dhanapāla's hymn to the image of Mahāvīra at Sanchore, composed in Apabhramsha around the beginning of the eleventh century, has been recognized to contain the earliest reference in an Indian language to Maḥmūd of Ghazna's raids in northwestern India in 1024, culminating in his destruction of the temple of Shiva at Somnath, in Gujarat. This hymn has been read as referring to another act of iconoclasm—or rather attempted iconoclasm, since it was ultimately unsuccessful—by Maḥmūd of Ghazna. This article shows that the attempted iconoclasm in question is not Maḥmūd's, but rather that of an earlier king. These earlier events, together with the geography of conquest and pilgrimage provided by Dhanapāla, suggest a political subtext for the hymn; namely, a veiled critique of the inability of the Cauḷukya kings of Gujarat to protect the religious landscape, and a veiled praise of Dhanapāla's friend and patron, the Paramāra king Bhōja.
Dhanapāla对Mahāvīra at Sanchore形象的赞美诗,大约在11世纪初在Apabhramsha创作,被认为包含了印度语言中最早的关于Ghazna在1024年袭击印度西北部的记载,最终他摧毁了古吉拉特邦Somnath的湿婆神庙。这首赞美诗被解读为另一种反圣像的行为——或者更确切地说是试图反圣像的行为,因为它最终没有成功——是由加兹那的Maḥmūd所做的。这篇文章表明,试图打破圣像的问题不是Maḥmūd的,而是一个更早的国王。这些早期的事件,连同Dhanapāla提供的征服和朝圣的地理,暗示了赞美诗的政治潜台词;也就是说,对Cauḷukya古吉拉特邦国王无力保护宗教景观的隐晦批评,以及对Dhanapāla的朋友和赞助人Paramāra国王Bhōja的隐晦赞扬。