A Pilgrimage to Purgatory

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Hannah Weaver
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引用次数: 0

Abstract

Telling the story of the exceptional penance of an Irish knight, the twelfthcentury Tractatus de Purgatorio Sancti Patricii contends that it was possible to go on a bodily pilgrimage to purgatory. The Cistercian monk H. of Saltrey wrote his Tractatus at a historical moment when the fate of souls after death felt particularly urgent and important evidence for the afterlife was provided by spirits traveling back and forth between this life and the next. Insisting on a bodily experience of a spiritual space, rather than a visionary one, the knight Owein provided powerful eyewitness testimony about posthumous penance. This article uncovers how the Latin Tractatus engages the worries of its audience about the feasibility of the knight’s embodied visit to the afterlife by marshaling familiar narrative patterns from vernacular genres, including chansons de geste and romance. It shows that the Tractatus is an intricately designed text that uses these generic features to dispel doubt, thereby positioning Owein’s pilgrimage as a licit and potentially replicable penitential activity.
《炼狱之旅
12世纪的《炼狱论》(Tractatus de Purgatorio Sancti Patricii)讲述了一位爱尔兰骑士的特殊忏悔故事,认为身体去炼狱朝圣是可能的。西多会修道士H. of Saltrey在一个历史时刻写下了他的《论》(Tractatus),当时人们对死后灵魂的命运感到特别迫切,而灵魂在今生和来世之间来回穿梭,为来世提供了重要的证据。骑士欧文坚持对精神空间的身体体验,而不是幻想,他提供了关于死后忏悔的有力目击证词。这篇文章揭示了拉丁文的Tractatus是如何通过从方言流派中整理出熟悉的叙事模式,包括chansons de geste和romance,来吸引观众对骑士化身到来世的可能性的担忧。这表明,《论》是一个精心设计的文本,它使用这些通用的特征来消除疑虑,从而将欧文的朝圣定位为一种合法的、潜在的可复制的忏悔活动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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