The Development of a Detaché Rhythm Hierarchy for String Sight-Reading

Q1 Arts and Humanities
Michael Alexander, M. Henry
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引用次数: 3

Abstract

The purpose of this study was to determine the rhythm sight-reading ability of high school string players, establish a hierarchy for detaché rhythm skills in string sight-reading, and discover any effects of key or bow direction. Twenty-six rhythm skills, grouped into seven categories were embedded into four 8-measure melodies, which appeared in three different keys and with occasional designated bowings. Participants (N = 82) obtained a mean score of 19.1 (73%), with success rates ranging from 20% to 94% for individual rhythm skills. While significant differences were found between skills appearing in the major keys of D and E-flat, no significant differences were found by bow direction. Future researchers may explore whether these rhythm skills hold their relative difficulty level with less accomplished players, investigate the effects of various bowing practices, and identify any effects of anxiety levels for sight-reading when the consequences of performance quality varies.
弦乐视读分离节奏层次的发展
摘要本研究旨在探讨高中弦乐演奏者的节奏视奏能力,建立弦乐视奏中节奏技能的层次结构,并探讨琴键方向和琴弓方向对弦乐视奏的影响。二十六种节奏技巧,分为七类,嵌入到四个8小节的旋律中,这些旋律以三种不同的键出现,偶尔有指定的弓弦。参与者(N = 82)的平均得分为19.1分(73%),个人节奏技能的成功率从20%到94%不等。D大调和降e大调出现的技能存在显著差异,但琴弓方向没有显著差异。未来的研究人员可能会探索这些节奏技能是否能与低水平的演奏者保持相对难度水平,调查各种弓弦练习的影响,并确定当演奏质量的结果不同时,焦虑水平对视读的任何影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
String Research Journal
String Research Journal Arts and Humanities-History
CiteScore
0.40
自引率
0.00%
发文量
9
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