Woman in the Tower: “Nineteen Old Poems” and the Poetics of Un/concealment

IF 0.3 4区 社会学 0 ASIAN STUDIES
Xiaofei Tian
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引用次数: 3

Abstract

Abstract This paper examines a group of anonymous poems thought to date from the second century AD. Ostensibly straightforward and transparent, the poems tantalize the reader with a protean quality, for it is often difficult to determine who is speaking what to whom. This impression is confirmed by the diverse and often conflicting interpretations made by late imperial Chinese commentators. How do the poems do this? What are the possible consequences for the later development of classical Chinese poetry? These are the questions I address in this paper, with particular attention to the poems' ambiguous personae and incomplete narratives.
塔里的女人:“十九首古诗”与隐/隐的诗学
摘要本文考察了一组被认为可以追溯到公元2世纪的佚名诗歌。这些诗表面上直白透明,却以多变的品质吸引着读者,因为通常很难确定谁在对谁说什么。这一印象得到了中国晚期评论员们的证实,他们的解释多种多样,而且往往相互矛盾。诗歌是如何做到这一点的?这对中国古典诗歌的后期发展可能产生什么后果?这些都是我在本文中提出的问题,特别注意诗歌的模棱两可的人物和不完整的叙述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Early Medieval China
Early Medieval China ASIAN STUDIES-
CiteScore
0.30
自引率
0.00%
发文量
8
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