India: Makings of Little Cultural/Media Imperialism?

P. Sonwalkar
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引用次数: 40

Abstract

An efflorescence of the media in India during the 1990s, mainly in television, has revolutionized the South Asian mediascape. After the novelty of foreign channels wore off in the early 1990s, Indian channels consolidated their position, recorded the highest audience ratings and forced foreign channels to adopt local programming in a big way. The late 1990s added a new dimension with language-/region-specific channels displacing pan-Indian networks in localized markets, and also reaching out to the large diaspora across continents. Besides, Indian media products are increasingly being viewed in terms of cultural imperialism within South Asia along the same lines that western products were during the 1960s-70s. India's media strengths and vibrancy appear to pose some challenge to the trope of media imperialism. This article argues that the Indian media situation has the makings of `little cultural/media imperialism', and calls for a multi-centric perspective, as opposed to a linear West-centric perspective, to register the rapidity of changes in this age of globalization.
印度:文化/媒体小帝国主义的形成?
上世纪90年代,印度媒体(主要是电视)的蓬勃发展彻底改变了南亚的媒体格局。20世纪90年代初,外国频道的新鲜感消退后,印度频道巩固了自己的地位,创下了最高的收视率,并迫使外国频道大量采用本土节目。20世纪90年代末,特定语言/地区的渠道取代了本地化市场上的泛印度网络,并向各大洲的大量散居侨民伸出了援手,这增加了一个新的维度。此外,印度媒体产品越来越多地被视为南亚的文化帝国主义,就像20世纪60年代至70年代的西方产品一样。印度媒体的实力和活力似乎对媒体帝国主义的比喻构成了一些挑战。本文认为,印度媒体状况具有“小文化/媒体帝国主义”的特质,并呼吁以多元中心的视角,而非以西方为中心的线性视角,来记录这个全球化时代的快速变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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