The collapse of faience figurine production at the end of the middle kingdom: Reading the history of an epoch between postmodernism and grand narrative

Abstract

The aim of the article is to trace the history of faience figurines in late Middle Kingdom Egypt, following a metanarrative level of synthesis. Moving from one of the most visible changes in the course of history, the turn from Modernism to Postmodernism, the article defines a key to read the path of faience figurine production from their appearance in the late Middle Kingdom to their disuse at the end of the Second Intermediate Period: changes in the pattern of society correspond to the production of a different material culture and to the abandonment of previous perceptions. Faience figurines represent a diagnostic category of objects defining a specific epoch. Their value as historical signatures is here used to supply a different interpretation for the history of the Second Intermediate Period Egypt, integrating microhistories with bigger pictures, as a combination of Postmodernism and Grand Narratives approaches.