Crossmodal correspondences between chemosensory stimuli and musical notes

A. Crisinel, C. Spence
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引用次数: 0

Abstract

We report a series of experiments investigating crossmodal correspondences between various food-related stimuli (water-based solutions, milk-based flavoured solutions, crisps, chocolate and odours) and sounds varying in pitch and played by four different types of musical instruments. Participants tasted or smelled stimuli before matching them to a musical note. Our results demonstrate that participants preferentially match certain stimuli to specific pitches and instrument types. Through participants’ ratings of the stimuli along a number of dimensions (e.g., pleasantness, complexity, familiarity or sweetness), we explore the psychological dimensions involved in these crossmodal correspondences, using principal components analysis (PCA). While pleasantness seems to play an important role in the choice of instrument associated with chemosensory stimuli, the pitch seems to also depend on the quality of the taste (bitter, salty, sour or sweet). The level at which such crossmodal correspondences might occur, as well as the potential applications of such results, will be discussed.
化学感觉刺激与音符之间的跨模态对应关系
我们报告了一系列实验,研究了各种食物相关刺激(水基溶液、牛奶基调味溶液、薯片、巧克力和气味)与不同音调的声音之间的跨模态对应关系,这些声音由四种不同类型的乐器演奏。在将刺激物与音符匹配之前,参与者先品尝或闻到刺激物。我们的研究结果表明,参与者优先将某些刺激与特定的音高和乐器类型相匹配。通过参与者对刺激在多个维度上的评分(如愉快、复杂、熟悉或甜蜜),我们利用主成分分析(PCA)探索了涉及这些跨模态对应的心理维度。虽然愉悦感似乎在与化学感官刺激相关的乐器选择中起着重要作用,但音调似乎也取决于味道的质量(苦、咸、酸或甜)。将讨论这种跨模态对应可能发生的水平,以及这种结果的潜在应用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Seeing and Perceiving
Seeing and Perceiving BIOPHYSICS-PSYCHOLOGY
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