Siza e Wright : dois museus e o visitante

A. Kohlmann, Douglas Vieira de Aguiar
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引用次数: 0

Abstract

The article presents a comparative study of two celebrated buildings – the Ibere Camargo Foundation (ICF), in Porto Alegre, designed by Portuguese architect Alvaro Siza, and the Guggenheim Museum, in New York, designed by the American architect Frank Lloyd Wright. The motivation for this work lies in the opportunity the recent construction of the ICF museum in Porto Alegre came to offer – in view of the honors and distinctions it has received from local and international architectural critique – for a discussion on the theme of quality, or performance, in architecture. The comparison with the Guggenheim Museum comes from a broadly observed formal, functional and iconic similarity observed between the two buildings. The article has an eminently empirical nature. The methodology applied in the analyses has antecedents in the architectural promenade, in the Corbusean´s sense of the concept, and is concerned with the quality of the walk, taking into account the way these buildings are understood by the visitor – their legibility – and the way they accommodate the bodies in space – their functionality. The article eventually shows that, despite their conspicuous formal and iconic similarities, the spatial performance observed in the two buildings has been radically distinct, especially in respect of the way they deal with spatial integration and spatial segregation from the standpoint of the visitor.
西扎和赖特:两个博物馆和游客
本文对两座著名建筑进行了比较研究——位于阿雷格里港的Ibere Camargo基金会(ICF),由葡萄牙建筑师Alvaro Siza设计,以及位于纽约的古根海姆博物馆,由美国建筑师Frank Lloyd Wright设计。这项工作的动机在于最近在阿雷格里港的ICF博物馆的建设提供了机会-鉴于它从当地和国际建筑评论中获得的荣誉和荣誉-讨论了建筑的质量或性能主题。与古根海姆博物馆的比较来自于两个建筑之间广泛观察到的形式,功能和标志性的相似性。这篇文章具有明显的经验性。在柯布森的概念中,分析中应用的方法在建筑步道中有其前身,并关注步行的质量,考虑到游客对这些建筑的理解方式-它们的易读性-以及它们在空间中容纳身体的方式-它们的功能。文章最终表明,尽管它们在形式上和标志性上有明显的相似之处,但在两座建筑中观察到的空间表现却截然不同,特别是从游客的角度来看,它们处理空间整合和空间隔离的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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40 weeks
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