Dois projetos: os anos de formação de Manfredo Tafuri

R. U. Frajndlich
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Abstract

Manfredo Tafuri’s (1935-1994) wide contribution to History of Architecture may offuscate the fact he had a brief activity as a practicing architect in the first five years of the sixties. Then, the young intellectual conciliated theory and practice as it would be unthinkable in the following years, resulting in a symptomatic episode of political and professional decision that lead him to renounce not only of his studio, but also to an entire historical substrate. Far from being a complimentary activity in the young Tafuri’s studies, designing was a political front, a decantation chamber of his historical and philosophical premises still in constitution. The article starts from Tafuri’s first publications as a student in Rome in 1960 until the book “Theories and history of architecture”, from 1968, when it is definitely finished any possibility of practice as an architect historian. The main focus of the text is to understand a theoretical transformation through which Tafuri’s work goes through in the sixties, seeking to reveal a movement between two political projects and two interpretations on the uses of history in architecture, by revisiting his drawings and initial researches to see how they have echoed in his forthcoming trajectory.
两个项目:Manfredo Tafuri的形成年代
Manfredo Tafuri(1935-1994)对建筑史的广泛贡献可能掩盖了他在60年代头五年作为一名执业建筑师的短暂活动的事实。然后,这位年轻的知识分子调和了理论和实践,因为这在接下来的几年里是不可想象的,导致了政治和专业决策的症状性插曲,导致他不仅放弃了他的工作室,而且放弃了整个历史基础。在年轻的塔夫里的研究中,设计远远不是一种赞美的活动,而是一种政治前线,是他的历史和哲学前提在宪法中的一个醒酒室。这篇文章从1960年Tafuri作为罗马学生的第一次出版物开始,直到1968年出版了《建筑理论和历史》一书,当时它绝对完成了作为建筑历史学家的任何实践可能性。文本的主要重点是理解Tafuri的工作在六十年代经历的理论转变,通过重新审视他的图纸和最初的研究,看看它们如何在他即将到来的轨迹中得到呼应,试图揭示两个政治项目之间的运动和对建筑中历史用途的两种解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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