The Effect of Music Listening on Running Performance and Rating of Perceived Exertion of College Students

Randy Bonnette, Morgan C. Smith, Frank J. Spaniol, Liette B. Ocker, D. Melrose
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引用次数: 4

Abstract

Introduction In the past listening to music was relegated to traveling in automobiles, while in the home, while engaged in recreational activities and occasionally at work. Today, the portable music industry (e.g. cassettes, compact discs, and iPod/MP3 digital audio devices) has popularized music "on the go" and invaded just about every environment including training venues. These devices have made it easier for people to enjoy their music and create their own style of workouts with relative ease, regardless of the setting, and has transcended into a multi-million dollar industry (14). Similarly, the sports arena is an environment where music has flourished. Traditionally, music has been used to motivate and inspire people prior to an important event (e.g. pre-game of a critical contest) as well as when they engage in sports and training for competition. Thus, athletes and traditional exercisers alike have used music as an accompaniment to exercise to sustain motivation, resist mental and emotional fatigue, and potentially enhance their physical and athletic performance (10). Scientific inquiry has revealed three key ways in which music can 'influence' preparation and competitive performances through dissociation, arousal regulation, and synchronization (3, 4, 6, 8-10). More specifically, research indicates music to be particularly effective in distracting exercisers away from their perceived exertion. Conceptual Framework Conceptually the underlying framework of using motivational music in exercise and sport devised by Karageorghis et al. (7) indicated two main hypotheses regarding arousal regulation and fatigue dissociation. First, music can be used to alter emotional and physiological arousal and thus can act either as a stimulant or sedative prior to and during physical activity. Therefore, an athlete can use various music tempos as a 'psych-up' strategy in preparation for a competition or perhaps an aid to calming over anxiousness. Second, music diverts a performer's attention from sensations of fatigue during exercise. This diversionary technique, known as dissociation, lowers perceptions of effort. Effective dissociation can promote a positive mood state, thus turning the attention away from thoughts of physiological sensations of fatigue (7). Rated Perceived Exertion Noble and Robertson (13) define perceived exertion as the subjective intensity of effort, strain discomfort and/or the fatigue that is experienced during an exercise. Currently, the most consistent findings suggest that perceived exertion will rate in lower values when participants exercise to music (12, 13, 22, & 24). The research data compiled from over the past two decades has found music particularly effective in distracting exercisers away from their perceived exertion during physical activity. A study by Nethery, Harmer, and Taaffe (12) found that perceived exertion while exercising to music was lower than for other attentional distracters and for the no distraction condition. Furthermore, Thornby et al. (22) tested exercising participants in the presence of music, no music and noise. They discovered that participants reported a lower perceived exertion while exercising in the presence of music in comparison to the no music and noise conditions. These findings coupled with the popularity and substantial profits generated between the association of music and training (14) would seem to indicate a correlation between the use of music and performance. However, the effects of listening to music on performance and other physiological measures are less clear. Therefore, the purpose of this study was to investigate the effect listening to music has on running performance and rating of perceived exertion of college students. Methods Experimental Approach to the Problem Listening to music (music listening) was defined as the subject's self selection of music tracks and use of a personal digital audio player (e. …
音乐聆听对大学生跑步表现及体能知觉评分的影响
在过去,听音乐是在开车旅行时、在家时、从事娱乐活动时以及偶尔在工作时才听的。今天,便携式音乐产业(如盒式磁带、光盘和iPod/MP3数字音频设备)已经普及了“移动”音乐,并侵入了包括培训场所在内的几乎所有环境。这些设备使人们更容易欣赏自己的音乐,并相对轻松地创造自己的健身风格,而不管环境如何,这已经成为一个价值数百万美元的产业。同样,体育场馆也是音乐蓬勃发展的环境。传统上,音乐被用来激励和激励人们在重要事件之前(例如,一场关键比赛的赛前),以及当他们从事体育运动和比赛训练时。因此,运动员和传统锻炼者都使用音乐作为运动的伴奏,以保持动力,抵抗精神和情感疲劳,并潜在地提高他们的身体和运动表现(10)。科学调查揭示了音乐可以通过分离、唤醒调节和同步来“影响”准备和竞技表演的三种关键方式(3,4,6,8 -10)。更具体地说,研究表明,音乐在分散锻炼者的注意力方面特别有效。从概念上讲,Karageorghis等人(7)设计的在运动和运动中使用动机音乐的基本框架表明了关于觉醒调节和疲劳解离的两个主要假设。首先,音乐可以用来改变情绪和生理唤醒,因此在体育活动之前和期间可以作为兴奋剂或镇静剂。因此,运动员可以使用不同的音乐节奏作为一种“精神”策略,为比赛做准备,或者帮助平息焦虑。第二,音乐可以转移演奏者在运动时的疲劳感。这种转移注意力的技巧,被称为“分离”,降低了对努力的感知。有效的分离可以促进积极的情绪状态,从而将注意力从疲劳的生理感觉上转移开(7)。Rated Perceived effort Noble和Robertson(13)将Perceived effort定义为在锻炼过程中所经历的主观努力强度、紧张不适和/或疲劳。目前,最一致的研究结果表明,当参与者在音乐中锻炼时,感知到的努力程度会降低(12,13,22和24)。过去20年收集的研究数据发现,音乐在分散锻炼者的注意力方面特别有效。内瑟尼、哈默和塔菲(12)的一项研究发现,在音乐中锻炼时,人们感受到的劳累程度低于其他注意力干扰和无注意力干扰的情况。此外,Thornby等人(22)在有音乐、没有音乐和噪音的情况下对运动参与者进行了测试。他们发现,与没有音乐和噪音的情况相比,参与者在有音乐的情况下锻炼时感到的劳累程度较低。这些发现,再加上音乐与训练之间的联系所带来的受欢迎程度和可观的利润,似乎表明了音乐的使用与表演之间的相关性。然而,听音乐对表现和其他生理指标的影响尚不清楚。因此,本研究的目的是探讨听音乐对大学生跑步表现和感觉努力程度的影响。方法实验方法的问题听音乐(音乐听)被定义为受试者自我选择的音乐曲目和使用个人数字音频播放器(e. ...)
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