Graphematics as part of a modular theory of phonographic writing systems

Q1 Arts and Humanities
Martin Neef
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引用次数: 15

Abstract

Abstract In writing system research, several scholars assume the existence of a component called “graphematics” (or a similar expression). Depending on the theoretical background, the concepts named in this way differ to quite a large extent, although in all cases graphematics is seen as related to, and at the same time different from, orthography. In this article, I want to discuss some of these different notions. The central aim, then, is to sketch a specific theoretical framework for the analysis of phonographic writing systems that distinguishes between two constituting modules of writing systems that build on each other. They are termed graphematics on the one hand and systematic orthography on the other. The model so far elaborates on data of German in the first place but could well be transferred to the study of other phonographic writing systems. The model is framed in the branch of linguistics that investigates properties of language as a system, as opposed to the branch that delves into the study of the use of such a system.
作为留声机书写系统模块理论的一部分的书写学
在文字系统研究中,一些学者假设存在一种称为“graphematics”(或类似的表达)的成分。根据理论背景的不同,以这种方式命名的概念在很大程度上有所不同,尽管在所有情况下,书法都被视为与正字法相关,同时又不同于正字法。在本文中,我想讨论其中一些不同的概念。然后,中心目标是勾勒出一个具体的理论框架,用于分析留声机书写系统,以区分两个相互建立的书写系统组成模块。它们一方面被称为文字正字法,另一方面被称为系统正字法。到目前为止,该模型首先阐述了德语的数据,但可以很好地转移到其他留声法书写系统的研究中。该模型是在研究语言作为一个系统的特性的语言学分支中建立的,而不是深入研究这种系统的使用的分支。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Writing Systems Research
Writing Systems Research Arts and Humanities-Language and Linguistics
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