{"title":"The construction of meaning in design-driven projects: a paradox initiated process","authors":"L. Knudsen, L. M. Haase","doi":"10.1080/21650349.2018.1501281","DOIUrl":null,"url":null,"abstract":"ABSTRACT In a world of ever-increasing products and services, companies are forced to think differently and find new approaches to bring meaningful and differentiating products to the market. In many cases, they have to go beyond the functional features in order to win the customers’ hearts and attention. Design-driven innovation is acknowledged as a way to create new meaningful experiences to the users – not driven by market demands or technology development but by experience and the emotional parameters of the solution-to-be. Despite an increasing interest in design-driven innovation, the process of how new meanings are constructed is still a neglected area in existing design research. This paper explores how five Danish companies in diverse industries constructed new product meanings. The study indicates that 1) innovation of meaning starts from a paradox in an existing product-user relationship – often experienced by the designer 2) the central point for meanings’ construction is the user’s experience of the product, and 3) meaning is constructed in respect to a number of different product aspects including e.g. experience, interaction and expression.","PeriodicalId":43485,"journal":{"name":"International Journal of Design Creativity and Innovation","volume":"7 1","pages":"129 - 143"},"PeriodicalIF":1.2000,"publicationDate":"2018-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/21650349.2018.1501281","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Design Creativity and Innovation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21650349.2018.1501281","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ENGINEERING, MANUFACTURING","Score":null,"Total":0}
引用次数: 5
Abstract
ABSTRACT In a world of ever-increasing products and services, companies are forced to think differently and find new approaches to bring meaningful and differentiating products to the market. In many cases, they have to go beyond the functional features in order to win the customers’ hearts and attention. Design-driven innovation is acknowledged as a way to create new meaningful experiences to the users – not driven by market demands or technology development but by experience and the emotional parameters of the solution-to-be. Despite an increasing interest in design-driven innovation, the process of how new meanings are constructed is still a neglected area in existing design research. This paper explores how five Danish companies in diverse industries constructed new product meanings. The study indicates that 1) innovation of meaning starts from a paradox in an existing product-user relationship – often experienced by the designer 2) the central point for meanings’ construction is the user’s experience of the product, and 3) meaning is constructed in respect to a number of different product aspects including e.g. experience, interaction and expression.
期刊介绍:
The International Journal of Design Creativity and Innovation is an international publication that provides a forum for discussing the nature and potential of creativity and innovation in design from both theoretical and practical perspectives. Design creativity and innovation is truly an interdisciplinary academic research field that will interest and stimulate researchers of engineering design, industrial design, architecture, art, and similar areas. The journal aims to not only promote existing research disciplines but also pioneer a new one that lies in the intermediate area between the domains of systems engineering, information technology, computer science, social science, artificial intelligence, cognitive science, psychology, philosophy, linguistics, and related fields. The journal covers, but is not restricted to, the following topics: ·Theories on Design Creativity and Innovation ·Cognition of Design Creativity ·Innovative Process ·Inventive Process ·Analogical Reasoning for Design Creativity and Innovation ·Design Synthesis ·Method and Tools for Design Creativity and Innovation ·Representation of Design Creativity and Innovation ·Education for Design Creativity and Innovation ·Concept Generation and Inspiration.