Sin and Redemption in the Hours of François I (1539–40) by the Master of François de Rohan

IF 0.2 2区 艺术学 N/A ART
Yassana Croizat-Glazer
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引用次数: 2

Abstract

In 2011, the department of European Sculpture and decorative Arts acquired a lavish book of hours made for the use of Rome for King François I (1494 – 1547). Of the manuscript’s ninety-three leaves, eighteen feature full-page miniatures by the Master of François de Rohan, who was active mainly in Paris between about 1525 and 1546. The humanistic script (an imitation of Roman script) is likely the work of Jean Mallard, a calligrapher and illuminator from Rouen who enjoyed royal patronage first in France, then in England.1 In light of the fact that virtually nothing remains of François I’s collection of personal prayer books, the Hours of François I constitutes a key addition to the Museum’s collection of works from the French Renaissance.2 The manuscript itself is remarkable for its sumptuous decoration and the unusual imagery of two illuminations, folios 67r and 89r (Figures 1, 2), which together raise important questions about François I’s attitude toward kingship and the struggles he faced in the tumultuous period during which the book was made.
弗朗索瓦一世时期的罪恶与救赎(1539 - 1540),作者:弗朗索瓦·德·罗汉
2011年,欧洲雕塑和装饰艺术系获得了一本为弗朗索瓦一世(1494 - 1547)国王在罗马使用的豪华钟点书。在手稿的93页中,有18页是由1525年至1546年间主要活跃在巴黎的弗朗索瓦·德·罗汉大师绘制的全页微型画。人文文字(仿罗马文字)很可能是让·马拉德的作品,他是鲁昂的书法家和照明师,先是在法国,然后在英国得到了王室的赞助。鉴于弗朗索瓦一世收藏的个人祈祷书几乎没有留下任何痕迹,《弗朗索瓦一世的时刻》是博物馆收藏法国文艺复兴时期作品的重要补充。2手稿本身以其华丽的装饰和两幅不同寻常的插图而闻名,对开本67r和89r(图1、2),这两幅插图共同提出了关于弗朗索瓦一世对王权的态度以及他在书中所面临的动荡时期所面临的斗争的重要问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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