The Goldon Age Returns: Virgil's Fourth Eclogue in the Political Panegyric of the Italian Courts

IF 0.1 2区 艺术学 0 ART
L. Houghton
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引用次数: 20

Abstract

E.H. Gombrich and others have analysed the uses made of language and imagery from Virgil's famous fourth Eclogue in panegyrical writing by partisans of the Medici dynasty in Florence. This study examines the appropriation of the theme of the returning Golden Age and related motifs from the fourth Eclogue in other Italian courts during the same period, by supporters of the Visconti and Sforza of Milan, the Gonzaga of Mantua, Leonello d'Este and his successors in Ferrara, and the Bentivoglio of Bologna, among others. The deployment of this Virgilian material in political panegyric is seen to be a central element in the self-definition and self-promotion of dynastic rulers throughout the peninsula.
黄金时代的回归:维吉尔在意大利宫廷政治颂歌中的第四首牧歌
e·h·贡布里希和其他人分析了维吉尔著名的第四首牧歌在佛罗伦萨美第奇王朝游击队的颂歌写作中使用的语言和意象。本研究考察了在同一时期,米兰的维斯康蒂和斯福尔扎、曼图亚的冈萨加、费拉拉的莱昂内洛·德·埃斯特及其继任者、博洛尼亚的本蒂沃格里奥等人的支持者对第四牧歌中回归黄金时代的主题和相关主题的盗用。在政治赞美诗中使用这种维吉尔式的材料被视为整个半岛王朝统治者自我定义和自我推销的中心因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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