Annual Index Volume II (2018)

Q4 Arts and Humanities

Bulletin of Spanish Visual Studies Pub Date : 2018-07-03 DOI:10.1080/24741604.2018.1516353

Julian Smith, Hilary Macartney

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引用次数: 0

Abstract

ALONSO ALONSO, MARÍA, Stories of Migration and Solitude: A Portrayal of Spanish Society before and after the Economic Crisis in the Work of Icíar Bollaín, 17–38. BOWSKILL, SARAH E. L., Bearing Witness to Child Abuse and Trauma in Pilar Acevedo’s Multimedia Fragmentos Exhibition, 105–36. CHAPPUZEAU, BERNHARD, Melodrama y reelaboración del pasado: la memoria de la dictadura militar en el cine argentine coproducido con España, 241–66. DUFAYS, SOPHIE & PIEDRAS, PABLO, La justicia entre el mito y la historia: tragedia y melodrama en El secreto de sus ojos (Juan José Campanella, Argentina, 2009) y El infierno (Luis Estrada, México, 2010), 39–62. ESTRADA, ISABEL, Re-politicizing Documentary Footage from the Transición in Spain: Images, Representation and the Digital Age, 267–83. LOMAS MARTÍNEZ, SANTIAGO, Mujeres, melodrama, homosexualidad y autoría en el cine de Juan de Orduña, 181–213. NORTH, JANICE R., Three Queens for the Same Throne: Politics, Sex and Disorder in TVE’s Isabel, 63–81. PENN, SHELDON, The Gaze and the Virgin: Marian Dimensions of Luis Buñuel’s Viridiana, 215–40. PIEDRAS, PABLO, see Dufays, Sophie. RAMÓN-LACA, LUIS, Sobre retratos de Vicente Carducho, 309–34. RODRÍGUEZ-ROMAGUERA, GUILLERMO,Hermetic Space As Abstraction of theMechanisms of Censorship: Symptomatic ‘Archive Fever’ in Carlos Saura’s La madriguera, 1–16. SMITH, PAUL JULIAN, Televisual Guernicas: Genius: Picasso (National Geographic, 2018) and El Ministerio del Tiempo (RTVE, 2015–2017), 167–79. SUBERO, GUSTAVO, La mirada del imaginario sexodiverso en el cine venezolano reciente, 285–308. VILLAMANDOS FERREIRA, ALBERTO, ‘Ya veréis, ¡España es una pasada!’ Humor y memoria histórica en Nuevas hazañas bélicas, 83–103.

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年度指数第二卷(2018年)

阿隆索·阿隆索，maria，《移民与孤独的故事:西班牙社会在经济危机之前和之后的肖像》，iar bollain, 17 - 38。BOWSKILL, SARAH E. L.，《皮拉尔·阿塞韦多多媒体碎片展中关于虐待儿童和创伤的目击者》，105 - 36。CHAPPUZEAU, BERNHARD, Melodrama and refabrication del pasado: la memoria de la dictadura militaraire en el cine argentina联合制作，241 - 66。DUFAYS, SOPHIE & PIEDRAS, PABLO, La justicia entre el mito y La historia: tragedie y melodrama en el secreto de sus ojos (Juan jose Campanella，阿根廷，2009)y el inferno (Luis Estrada，墨西哥，2010)，39 - 62。埃斯特拉达，伊莎贝尔，《西班牙转型的再政治化纪实镜头:图像、表现和数字时代》，267 - 83。洛马斯martinez，圣地亚哥，Mujeres, melodrama, homosexual y autoria en el cine de Juan de orduna, 181 - 213。JANICE R. NORTH, Three Queens for the Same thrrone: Politics, Sex and Disorder in TVE Isabel, 63 - 81。佩恩,谢尔登,The Gaze and The Virgin:玛丽安思考维度Luis Buñuel Viridiana 215—40。石头，巴勃罗，见杜菲斯，苏菲。ramon - laca，路易斯，关于Vicente Carducho的肖像，309 - 34。rodriguez - romaguera, GUILLERMO,Hermetic Space As Abstraction of themechanism of Censorship: Symptomatic ' Archive Fever ' in Carlos Saura ' s La madriguera, 1 - 16。史密斯，保罗·朱利安，电视格尔尼卡:天才:毕加索(国家地理，2018)和时间部(RTVE, 2015 - 2017)， 167 - 79。SUBERO, GUSTAVO, La mirada del imaginario sexodiverso en el cine venezolano reciente, 285 - 308。维拉曼多斯·费雷拉，阿尔贝托，“你会看到的，西班牙很棒!《新战争壮举中的幽默和历史记忆》，83 - 103。

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来源期刊

Bulletin of Spanish Visual Studies Arts and Humanities-Visual Arts and Performing Arts

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0.20

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0.00%

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