Propaganda film

Abstract

Asia, edited by M. Iwatake, 174 205. Helsinki: Department of World Cultures, University of Helsinki). Given their relative newness, it remains to be seen how much Chinese cinemas have impacted these alternative global networks of thematic festivals, just as it is unclear whether or not alternative festivals over time will come resemble international film festivals more, not less. To wit, when it comes to Chinese cinema and film festivals, there are still more questions than answers out there.